Good taste according to Agricola, Caccini. Second part

In previous articles we paused to understand how to beautiful music and understood that this surely is closely linked to temporality. Let's keep this brief discussion on education in beauty and good taste as well as many ancient authors intended.

Agricolain its translation from Italian into German by Tosi Opinions de’ ancient and modern singers comment, in accordance with those “Very few singers” tasteful, that (1757, Agricultural Anleitung zur Singkunst p. 48):

The practice of raising and decreasing the long notes kept, widens its usefulness to all singing in General. Since it is a basic rule by good taste, that every note, that only is of some duration, should have its intensity ascending and descending.

It is clear and common to many musicians composers who have “good taste” essentially means performing Executive that the composer wrote directions on their own compositions. Many signs were conventional, and new ones were made with examples in Warnings who were always there after the dedication and thanks.

Giulio Caccini, author of two books of Arias and madrigals for one voice Le nuove musiche and New music and new way of writing significantly introduces new products for type & #8216; musicale’ directly in the title of his work, specifying which are new music and new way to compose themwhich expresses the will of declaratory technical innovations. Individually notifiable by “being needed” to write such music because he saw that many steps are “badly used”. These innovations are carried out very clearly within the volume and, by the way of good taste, it is referred to in Some Caveats. The composer believes that three are the main things to know to be able to Ben sing fondly only (Giulio Caccini 1614, New music and new way to compose them, Some Caveats, Zanobi drives & companions, Florence ):

Three things mostly succinctness know who professes to ben sing fondly only. What are the affection, the variety of that, and sprezzatura. The affection in the singing is nothing but the strength of different notes, and various accents co ' the temper of the plan, and an expression of words, and the concept, which they take à cantar atta à move affection in the listener. The variety in affection, is that one man's affection transfer to another co’ same means, according to the words, and the concept guiding the singer afterwards. And this is to be observed carefully the heaven rends with edesia robe (so to speak) one does not remove à represent the purpose, see. Pricing is that grace which is from al canto co ' l spent more quavers and semiquavers over several strings with l which made à time, taking off to singing some finished anguish and dryness, it makes it enjoyable, bawdy, and airy, as in common speech eloquence, and fecondia makes smooth, and sweet things of which you speak. Where eloquence to the figures, and à ì assimiglierei means, steps, color the trills, and other similar ornaments, which now can be every Endearment that sparsely in introducing. Known Yes these things, believe with the observation of these my compositions, that anyone who could sing for adventure have haurà youth hostel area to that end, I want to sing especially, that is the delight.


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